The dramatisation of photography as urban cartography in Smoke
DOI:
https://doi.org/10.62161/sauc.v12.6302Keywords:
Smoke, Urban cartography, Documentary photography, Film, Discourse Analysis, Public SpaceAbstract
A sequence from Smoke (Wayne Wang and Paul Auster, 1995) explores the unique urban cartography created by an amateur photographer using four thousand photographs of the corner of his street, taken from the same spot at the same time. Through filmic and photographic analysis, the mechanisms that structure the narrative are examined, and it is concluded that still images—along with framing, editing and sound—help to generate empathy in the viewer by combining photography as a belated discovery (Campany) and evidence of documentary reality (Barthes).
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