Vol. 11 No. 4 (2022): Monograph: "Cinematographic and Television Languages: their Forms and Contents"

Special Issue Articles

• Augmented reality in the news discourse on La Palma volcano The examples or TVE and RTVC

  Mercedes Herrero de la Fuente, Carlos Jiménez Narros, Miriam Puelles Gutiérrez

  1-10

  • PDF (Español (España))

• Filmic discourse and sociocultural dimension in the film Wiñaypacha

  Yudi Janeh Yucra Mamani, Walker Ernesto Aragón Cruz, Dulio César Palomino Asqui

  1-29

  • PDF (Español (España))

• The construction of characters with disabilities in film The importance of verbal and non-verbal communication

  Laura Sanz-Simón

  1-16

  • PDF (Español (España))

• Hybrid processes in experimental animation

  Jesús Pertíñez López, Concepción Alonso Valdivieso

  1-9

  • PDF (Español (España))

• Cultural glocalisation in the era of video on demand Content diversity in Netflix, HBO and Prime Video

  Josep Pedro

  1-13

  • PDF (Español (España))

• The selective and meticulous use of color in cinema Enhancing the emotional and dramatic values in the narrative

  Jaime Neves

  1-11

  • PDF (Español (España))

• Sabías a lo que venías and The Tonight Show Similarities and influences

  Paula Meliveo Nogués, Carmen Cristófol Rodríguez

  1-15

  • PDF (Español (España))

• Case study of the export of the regional cinema model in Africa

  Guillermo Mejías Martínez

  1-9

  • PDF (Español (España))

• Film Festivals Jury Committees and Quality Cinema Case study of the San Sebastian International Film Festival

  Montserrat Jurado-Martín

  1-11

  • PDF (Español (España))

• The Detective as (Academic) Interpreter: A Reconsideration of Murder by Death

  Emilio José Álvarez Castaño

  1-7

  • PDF (Español (España))

• Netflix incorporates advertising into its business model Pre-roll and the alliance with Microsoft as a solution to its stock market debacle

  Fernando García-Chamizo, Javier Miranda García

  1-13

  • PDF (Español (España))

• Cultural journalism and disability in cinema A view of its historical evolution through specialized critique

  Manuel García-Borrego, María Eugenia González-Cortés

  1-16

  • PDF (Español (España))

• Analysis of Quiz as programmatic strategy of Neo Television in Spain

  Sara Gallego Trijueque, Carlos Oliva Marañón, Vanesa Cejudo Mejías

  1-11

  • PDF (Español (España))

• Spaces, voices, and acting Mapping of the “Fantastique” filmed in Madrid

  Gema Fernández-Hoya

  1-16

  • PDF (Español (España))

• Suspiria. Mythical imaginaries of the terrible mother The abject and corporeal in the horror films of Luca Gudagnino

  Azul Kikey Castelli Olvera

  1-17

  • PDF (Español (España))

• Audiovisual journalism and technological innovation The QR codes on Spanish television

  Manuel Jesús Cartes-Barroso

  1-13

  • PDF (Español (España))

• Painting and Visual Construction in El Ministerio del Tiempo. Las meninas as a study case

  Mónica Barrientos-Bueno

  1-9

  • PDF (Español (España))

• Redefining space in immersive films: narrative fiction 360º videos

  Víctor Manuel Barbera Hernández

  1-11

  • PDF (Español (España))