Visual Design in Brand Communication on Instagram.

Authors

DOI:

https://doi.org/10.62161/revvisual.v16.5317

Keywords:

Graphic design, Graphic language, Brand, Social media, Instagram, Visual identity, Corporate identity

Abstract

Visual design in social media fulfills an aesthetic function, and also helps in the communication process. This study analyzes the elements of graphic design in the content published by the brands Nike, Victoria's Secret, Zara and Chanel, which are the ones with the largest followers on Instagram. The methodology is qualitative, and the presence of fonts, colors is determined; etc. The research questions are: 1. Are elements of graphic language used in the publications made by brands on Instagram? 2. Is there visual coherence between the brand's corporate identity and the content published on Instagram?

Downloads

Download data is not yet available.

References

Abdel-Rahim, F. & Ali, M. (2016). A study on impact of graphic design on marketing in sultanate of Oman. Shanlax International Journal of Arts, Science & Humanities. Volume 4, pp. 65-76.

AbuShawali, M., Lim, &., Bedu, A. (2013). The Impact of New Digital Media on Graphic Designer in Jordan. International Conference on Informatics and Creative Multimedia, Kuala Lumpur, Malaysia, pp. 274-277, https://doi.org/10.1109/ICICM.2013.34

Adîr, G., Adîr, V., & Pascu, N. (2012). Logo design and the corporate identity. Procedia - Social and Behavioral Sciences. V. 51, pp. 650 – 654. https://doi.org/10.1016/j.sbspro.2012.08.218

Alhajri, S. & Mansour, H. (2018). New approach of using social media in graphic design at the higher education in Sultanate of Oman. The European Conference on Arts & Humanities. https://papers.iafor.org/submission42504/

Álvarez, A. (2024, febrero 28). Los tipos de videos en Instagram más populares. https://bit.ly/3V5UY8x

Barboza-Alonso, A. M., Flores-Flores, A. J. Y Bernal-González, I. (2023). Las redes Sociales como estrategia de marketing digital: Un análisis bibliométrico. Vinculatégica EFAN, 9(6), 16–30. https://doi.org/10.29105/vtga9.6-437

Cazau, P. (2006). Introducción a la Investigación en Ciencias Sociales. Buenos Aires: Cazau

Chavez, N. (2024, febrero 29). Color e identidad corporativa. https://www.norbertochaves.com/articulos/texto/color_e_identidad_corporativa

DATAREPORTAL (2024, febrero 8). Digital around the world. https://bit.ly/49UY3fD

Engholm, I. (2002). Digital style history: the development of graphic design on the Internet. Digital Creativity, Vol. 13, No. 4, pp. 193–211. https://doi.org/10.1076/digc.13.4.193.8672

Flórez, A. (2020). Cultural loop () el gif animado como herramienta para la conservación y difusión de la tradición oral. Jornadas Artes Visuales y Multimedia AVM. https://mpison.webs.upv.es/jornadas/papers_2020/AVM2020_paper_10.pdf

Gancho, S., Cooper, R. & Martyn, E. (2013). The impact of Design in Social Media today. 2nd Cambridge Academic Design Management Conference. https://bit.ly/3T777Y7

Gibbs, G. (2013). El análisis de datos cualitativos en Investigación Cualitativa. Madrid: Ediciones Morata

Guerrero, B. (2020). La fotografía de moda en las revistas de moda de alta gama: fotografía editorial versus fotografía publicitaria. Límites éticos. RPC, (1), 22–29. https://doi.org/10.21555/rpc.v0i1.2312

Haslam, A., & Baines, P. (2005). Tipografía. Función, forma y diseño. España: Editorial Gustavo Gili, S.L

InsTrack (2024, enero 3). Top Instagram Accounts. https://instrack.app/

Kaur, H. & Kaur, K.R. (2021). Investigating the effects of consistent visual identity on social media. Journal of Indian Business Research, Vol. 13 No. 2, pp. 236-252. https://doi.org/10.1108/JIBR-06-2020-0174

Lenis, A. (2023, Agosto 1). Qué es un reel en Instagram y cómo hacer uno, paso a paso. HubSpost. https://blog.hubspot.es/marketing/reel-instagram

Madrigal, M. (2017). La evolución de los procesos creativos y técnicos del diseño gráfico. [Tesis doctoral] Universidad de Sevilla. Facultad de Bellas Artes. https://idus.us.es/handle/11441/76156

Menza, A., Sierra, E., y Sánchez, W. (2016). La ilustración: dilucidación y proceso creativo. Revista KEPES , No. 13, pp. 265-296. https://doi.org/10.17151/kepes.2016.13.13.12

Meron, Y. (2021). Graphic design and interactivity: still a paradigm shift for graphic designers? Communication & graphic design. https://doi.org/10.13140/RG.2.2.32713.88167/2

Mitrovic, K.; Jakšić, A.; & Spajić, J. (2020). The analysis of graphic design platforms used in social media marketing. Conference: 10th International Symposium on Graphic Engineering and Design, pp. 651-657. https://doi.org/10.24867/GRID-2020-p74

Mukherjee, T. (2018). Growing impact of graphic design in social media as a tool of brand promotion & consumer awareness: a perception study of Jaipur based mass communication students. International Journal of Creative Research Thoughts IJCRT. Volume 6, pp. 1009-1017

Ramírez, F. (2017). La fotografía en eñ diseño editorial como medio de comunicación gráfica. Revista Estudios, Nro. 34.

Rehman, S., Ali, H., Khan, &., & Shah, M. (2021). Color Psychology in Marketing. Journal of Business & Tourism, 4(1), 183–190. https://doi.org/10.34260/jbt.v4i1.99

Satria, H., Tantuah, N., & Thoriq, M. (2022). The Role of a Graphic Designer in the Visual Marketing Team to Accelerate Awareness of Premium Content KumparanPLUS. Proceedings, 83, 40. https://doi.org/10.3390/proceedings2022083040

Saavedra, A. (2024, febrero 29). Tipos de publicaciones en Instagram. https://bit.ly/3SYhM7s

San Cornelio, G. (2019, Junio). Diseño y redes sociales: ¿qué datos tenemos? COMeIN, N.89. https://doi.org/10.7238/issn.2014-2226

Sandelowski, M. (2000). Focus on Research MethodsWhatever Happened toQualitative Description? Research in Nursing & Health, Nro. 23, pp. 334 – 340. https://doi.org/10.1002/1098-240X(200008)23:4<334::AID-NUR9>3.0.CO;2-Gopen_in_newISSN

Smith, E. (S.f). The Importance of Graphic Design in Social Media. https://bit.ly/3InQ6Ut

Sivila, E. (2023). Infografías como Recurso Didáctico en Educación Superior. Ciencia Latina Revista Científica Multidisciplinar. 7(5), pp. 7404-7422. https://doi.org/10.37811/cl_rcm.v7i5.8325

Suárez-Carballo F., Galindo-Rubio F. y Martín-Sanromán J. R. (2018). La simplicidad en el diseño de marcas gráficas: análisis de la preferencia. Arte, Individuo y Sociedad, 30(2), 275-293. https://doi.org/10.5209/ARIS.56791

Subiela, B. (2017). La gestión de identidad visual corporativa de las universidades españolas. Grafica, Vol. 5 Núm. 10. https://doi.org/10.5565/rev/grafica.73

Syakura, S., Mauledevi, N., & Sihombing, R. (2013). Typography Expert System for Graphic Design Purpose in the Usage of Typeface. Conference: Konferensi Nasional Sistem Informasi, At: STMIK Bumigora Mataram, Lombok.

Tilak, G, (2020). Usage of Visual Communication Design on Consumer Behaviour. Gedrag & Organisatie Review. Volume 33, Nro. 02, DOI:10.37896/GOR33.02/103

Torres, H., y Cevallos, A. (2021). La comunicación visual detrás de los procesos de marketing. XVI Semana Internacional de Diseño en Palermo. Facultad de Diseño y Comunicación. Universidad de Palermo. Actas de Diseño 39. pp. 41-267

Yan, R. (2012). A Study of the Influence of New Media on Graphic Design in Computer Age. Applied Mechanics and Materials, Vols. 121-126, pp 4362-4366. https://doi.org/10.4028/www.scientific.net/AMM.121-126.4362

Zhang, L. (2017). Design and Research on Visual Communication under the Influence of Digital Media. Advances in Social Science, Education and Humanities Research, Volume 185, pp. 257 – 260. doi: 10.2991/ssehr-17.2018.60.

Published

2024-12-28

How to Cite

Carpio-Jiménez, L., Suing, A., & Ordóñez, K. (2024). Visual Design in Brand Communication on Instagram. VISUAL REVIEW. International Visual Culture Review Revista Internacional De Cultura Visual, 16(8), 1–14. https://doi.org/10.62161/revvisual.v16.5317