Visual Identity in the Digital Era
Decoding the Adaptation of Brands in the Digital Environment.
DOI:
https://doi.org/10.62161/revvisual.v17.5771Keywords:
Corporate Visual Identity (CVI), Logo, Archeology of Visuality, Website, Instagram, Coherence, Adaptability, BrandAbstract
Corporate Visual Identity (CVI) integrates key elements such as logo, colour and typography, fundamental for brand identification and positioning. This study analyses the logos of the top 100 global brands (Interbrand 2024), through a systematic analysis of the visual elements: composition, symbol, colour, typography and their consistency on platforms such as websites and Instagram. The study evidences the adaptability and consistency of CVI in different digital contexts as pillars in strategic brand management. The research furthers the theoretical contribution in this area by providing a validated scalable model for future research and provides insights as a practical contribution.
Downloads
Global Statistics ℹ️
0
Views
|
0
Downloads
|
0
Total
|
References
Alcaide, J. C., Bernués, S., Díaz-Aroca, E., Espinosa, R., Muñiz, R., & Smith, C. (2013). MARKETING Y PYMES, Las principales claves de marketing en la pequeña y mediana empresa. Marketing Y Pymes.
Balmer, J.M.T. & Podnar, K. (2021) Corporate brand orientation: Identity, internal images, and corporate identification matters, Journal of Business Research, 134(C), 729-737. https://doi.org/10.1016/j.jbusres.2021.06.016
Barroso, C. L., Viniegra, L. M., & García, F. G. (2022). La proyección de la marca a partir del diseño del logo: de la representación visual a la imagen concepto corporativo. Kepes, 19(26), 275-316. https://doi.org/10.17151/kepes.2022.19.26.9
Berelson, B. (1952). Content Analysis in Communication Research. Free Press.
Boix, J. C., Boluda, I. K., & López, N. V. (2017). La importancia de percibir notoriedad e imagen de marca entre el personal de servicios de universidad. Cuadernos de estudios empresariales, 27, 65. https://doi.org/10.5209/CESE.57371
Caldevilla Domínguez, D. (2009). La importancia de la identidad visual corporativa. Vivat academia, 103, 0001-26. https://doi.org/10.15178/va.2009.103.1-26
Carpio-Jiménez, L., Ayala-Armas, E., & Ordóñez, K. (2024). Imagen de marca y marketing verde. Revista Ibérica de Sistemas e Tecnologias de Informação, (E69), 184-194. https://www.risti.xyz/issues/ristie69.pdf
Carrillo, M. V. (2014). Strategic Communication in the communications environment of today’s organizations. Comunicação e Sociedade, 26, 81-89. https://doi.org/10.17231/comsoc.26(2014).2026
Challa, A., & Anute, N. (2021). The effectiveness of Instagram content marketing on brand building of a company. Journal of Sales, Service and Marketing Research, 2(2), 1-7. https://doi.org/10.46610/JSSMR.2021.v02i02.001
Clemente, M., & Santalla, Z. (1991). El documento persuasivo: análisis de contenido y publicidad. Ed. Deusto.
Corrales, A. M. S., Coque, L. M. P., & Brazales, Y. P. B. (2017). El marketing digital y su influencia en la administración empresarial. Dominio de las Ciencias, 3(4), 1161-1171. http://doi.org/10.23857/dom.cien.pocaip.2017.3.4.jul 1161-1171
Del Prete, A., & Redon Pantoja, S. (2020). Las redes sociales on-line: Espacios de socialización y definición de identidad. Psicoperspectivas, 19(1), 86-96. https://doi.org/10.5027/psicoperspectivas-Vol19-Issue1-fulltext-1834
Erjansola, A.M., Lipponen, J., Vehkalahti, K., Aula, H.M., & Pirttilä-Backman, A.M. (2021) From the brand logo to brand associations and the corporate identity: visual and identity-based logo associations in a university merger. Journal of Brand Management, 28, 241–253. https://doi.org/10.1057/s41262-020-00223-5
Fernandez Rincon, A. (2019). El legado de la Bauhaus en la identidad visual gráfica de las organizaciones: ideología de lo plano y flat design. Pensar la Publicidad. Revista Internacional de Investigaciones Publicitarias, 13, 65-85. https://doi.org/10.5209/pepu.65020
Foroudi, P., Melewar, T. C., & Gupta, S. (2017). Corporate logo: History, definition, and components. International Studies of Management & Organization, 47(2), 176-196.
https://doi.org/10.1080/00208825.2017.1256166
García García, M., Carrillo-Durán, M. V., & Tato Jimenez, J. L. (2017). Online corporate communications: website usability and content. Journal of Communication Management, 21(2), 140-154.
https://doi.org/10.1108/JCOM-08-2016-0069
Gómez Nieto, B., & Benito Vielba, C. (2014). Presente de la comunicación organizacional
en la PYME española. Razón y palabra, 18(86). https://bit.ly/3WzevOf
Harada Olivares, E. (2014). Logotipos, isotipos, imagotipos e isologos: una aclaración terminológica. Mixcoac. De la academia a la sociedad, 2(33), 36-47. https://bit.ly/3EefddP
Jurišová, V. (2020, July). Building brand identity on Instagram. In Proceedings of the 7th European Conference on Social Media (pp. 119-126). bit.ly/4jQP3y7
Kay, M. J. (2006). Strong brands and corporate brands. European journal of marketing, 40(7/8), 742- 760. https://doi.org//10.1108/03090560610669973
Keller, K. L. (1993). Conceptualizing, measuring, and managing customer-based brand equity. Journal of marketing, 57(1), 1-22. https://doi.org/10.2307/1252054
Keller, K. L. (2013). Strategic Brand Managment: Building, Measuring, and Managing Brand Equity. UK: Pearson Education Limited.
López-Iglesias, M., Tapia-Frade, A., & Villada, J. L. C. (2024). Identidad Visual de Museos de Arte Contemporáneo en Facebook, Instagram y Web: Un Análisis Comparado. VISUAL REVIEW. International Visual Culture Review/Revista Internacional de Cultura Visual, 16(2), 67-80.
https://doi.org/10.62161/revvisual.v16.5213
Martín García, A. (2021). Análisis de la figura del community manager como voz de las marcas en las redes sociales. Universidad de Valladolid. Facultad de Ciencias Sociales, Jurídicas y de la Comunicación. https://doi.org/10.35376/10324/52084
Munsell, A. H. (1907). A Color Notation: A Measured Color System Based on the Three Qualities, Hue, Values and Chroma with Illustrative Models, Charts and a Course of Study Arranged for Teachers. Geo. H. Ellis.
Olivares-Delgado, F., Benlloch Osuna, M. T., & Álvarez-Villanueva, C. (2024). La marca como intangible estratégico una reflexión crítica sobre su consideración como tema de interés para la empresa. Brazilian Journal of Business, 6(1), 152–164. https://doi.org/10.34140/bjbv6n1-012
Park, C. W., Eisingerich, A. B., Pol, G., & Park, J. W. (2013). The role of brand logos in firm performance. Journal of business research, 66(2), 180-187. http://doi.org/10.1016/j.jbusres.2012.07.011
Pérez-Ordóñez, C., Morneo-Albarracín, B., Torres-Martín, J. L., & Castro-Martínez, A. (2023). La identidad visual corporativa (IVC) en los festivales de música: Principales tendencias en España. Questiones Publicitarias, 6(32), 65–72. https://doi.org/10.5565/rev/qp.392
Pol, A. (2017). Branding y personalidad de la marca visual. Branding and Personality of Visual Brands, Zincografía, 1(1), 5-19. https://doi.org/10.32870/zcr.v0i1.1
Quispillo Parra, M. C. (2025). Estrategias tipográficas para reflejar la personalidad de una marca en distintos sectores industriales. Ñawi. Arte, Diseño, Comunicación, 9(1), 189-201.
https://doi.org/10.37785/nw.v9n1.a11
Raposo Martins, D. (2012). La letra como signo de identidad visual corporativa. Codificación y descodificación visual del sistema de identidad. Faculdade de Arquitectura de la Universidade Técnica de Lisboa. http://hdl.handle.net/10400.11/1424
Martins, D. R. (2012). La letra como signo de identidad visual corporativa. Universidade Tecnica de Lisboa. http://hdl.handle.net/10400.5/17758
Rodrigo, E. M., & Martín, L. S. (2011). Publicidad en internet: Nuevas vinculaciones en las redes sociales. Vivat academia, 469-480. https://doi.org/10.15178/va.2011.117E.469-480
Sánchez, J., & Pintado, T. (2009). Imagen Corporativa. Madrid: ESIC.
Sanz-Peralta, A., Ortiz-Ramos, M., & Romero-Rodríguez, L. M. (2023). Identidad visual corporativa de las entidades financieras en España: análisis de contenido iconográfico-simbólico en web. Doxa Comunicación. Revista Interdisciplinar De Estudios De Comunicación Y Ciencias Sociales, 37, 141-165. https://doi.org/10.31921/doxacom.n37a1754
Segarra-Saavedra, J., Carratalá-Martínez, D., & Romero-Coves, A. (2022). Uso publicitario de Instagram por parte de modelos españoles antes del código de conducta de AEA y autocontrol. Vivat Academia, 155,1-25. http://doi.org/10.15178/va.2022.155.e1410
Shaikh, A. D., Chaparro, B. S., & Fox, D. (2006). Perception of fonts: Perceived personality traits and uses. Usability news, 8(1), 1-6. https://bit.ly/4gltzX9
Statista. (2024a). Most popular social networks worldwide as of April 2024, by number of monthly active users. Statista. https://bit.ly/4aC3i5q
Statista. (2024b). Number of users of selected social media platforms in Spain from 2018 to 2028, by platform. Statista. https://bit.ly/4gimjuP
Suárez Vergne, Á., Díaz Cano, E., & Tardivo, G. (2021). La gestión de la imagen de marca en las redes sociales: el caso de Coca-Cola. Aposta. Revista de ciencias sociales, 91, 129-143. https://bit.ly/3Ee9QuR
van den Bosch, A. L. M. (2005). Corporate visual identity management: current practices, impact, and assessment. University of Twente. http://doi.org/10.3990/1.9789036522656
van den Bosch, A. L., De Jong, M. D., & Elving, W. J. (2006). Managing corporate visual identity: Exploring the differences between manufacturing and service, and profit-making and nonprofit organizations. International Journal of Business Communication, 43(2), 138-157. http://doi.org/10.1177/0021943605285476
Van Grinsven, B., & Das, E. (2016). Logo design in marketing communications: Brand logo complexity moderates exposure effects on brand recognition and brand attitude. Journal of marketing communications, 22(3), 256-270. http://doi.org/10.1080/13527266.2013.866593
Viaño, L. M. V. (2010). Redes sociales, microblogging y relaciones públicas 2.0: Análisis de las posibilidades y de las prácticas comunicativas en el sector español de e-salud. In VI Congreso Internacional de Investigación y Relaciones Públicas: Actas (pp. 378-394). Asociación de Investigadores en Relaciones Públicas. https://bit.ly/3Ei1ZMY
Villafañe, J. (2011). La gestión profesional de la imagen corporativa. Pirámide.
Wong, W. (2011). Fundamentos del diseño. Editorial GG.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Those authors who publish in this journal accept the following terms:
-
Authors retain copyright.
-
Authors transfer to the journal the right of first publication. The journal also owns the publishing rights.
-
All published contents are governed by an Attribution-NoDerivatives 4.0 International License.
Access the informative version and legal text of the license. By virtue of this, third parties are allowed to use what is published as long as they mention the authorship of the work and the first publication in this journal. If you transform the material, you may not distribute the modified work. -
Authors may make other independent and additional contractual arrangements for non-exclusive distribution of the version of the article published in this journal (e.g., inclusion in an institutional repository or publication in a book) as long as they clearly indicate that the work was first published in this journal.
- Authors are allowed and recommended to publish their work on the Internet (for example on institutional and personal websites), following the publication of, and referencing the journal, as this could lead to constructive exchanges and a more extensive and quick circulation of published works (see The Effect of Open Access).