Symbolic Construction of Queer Identities in Victorian Queer Cinema
DOI:
https://doi.org/10.62161/revvisual.v16.5308Keywords:
Victoria Trilogy, queer film, queer image, postmodernAbstract
This article analyzes the symbolic construction of queer identities in Sarah Waters' Neo-Victorian Trilogy using content analysis and film semiotics. It explores postmodern narrative techniques and the symbolism of femininity, emphasizing themes of desire, identity, and redemption. The study highlights how Waters' works contribute to the nuanced portrayal of queer characters and their impact on contemporary visual storytelling.
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Film & Television:
Abdellatif Kechiche.(Director).(2013).Blue is the warmest color [Film].Canal+& Vértigo Films& RTBF
Aisling Walsh.(Director).(2005). Fingersmisth [Television series].BBC
Alison Newman & Moira Buffini (Creator).(2017).Harlot. Hulu & ITV Encore
Céline Sciamma (Director).(2019).Portrait of a Lady on Fire[Film] Lilies Films
Geoffrey Sax.(Director).(2002). Tipping the Velvet [Television series] .BBC
Guan Jinpeng.(Director).(2001).Lan Yu [Film] Zhang Yongning Film Studio
Gus Van Sant.(Director).(1991). My Own Private Idaho [Film]
Luca Guadagnino.(Director).(2017).Call me by your name [Film] Crazy Film Company&Sony
Ridley Scott.(Director).(1991).Thelma & Louise[Film] MGM-Pathé Communications
Sally Wainwright. (Director).(2019).Gentlemen Jack[Television series] . BBC & Lookout Point TV&HBO
Tim Fywell.(Director).(2008). Affinity [Film]
Woody Allen.(Director).(1977). Annie Hall [Film] A Jack Rollins and Charles H. Joffe Production
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