The Spatial Communication and its Materialization in Brazilian Visual Arts

Authors

  • Miguel Gally Universidade de Brasília (Unb)

DOI:

https://doi.org/10.37467/gka-revvisual.v3.238

Keywords:

Spatial Communication, Brazil, Materialization

Abstract

Reflections on the foundations and development of a tradition in Brazilian visual arts: the materialization of a non discursive spatial communication through some artworks from Hélio Oiticica (1937-1980), Ernesto Neto (1964-), and Maurício Panella (1973-).

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References

Amoroso, L. (2000). Ratio & Aesthetica: la nascita dell´estetica e la filosofia moderna. Pisa, Itália: ETS.

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Braga, P. (2008). Conceitualismo e vivência. Em P. Braga (Ed.). Fios soltos: a arte de Hélio Oiticica. (pp. 259-276). São Paulo, Brasil: Perspectiva.

Cauquelin, A. (2007). A invenção da paisagem. São Paulo, Brasil: Martins Fontes.

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Gally, M. (2008). Displacements of Creative Activity in Brazilian Visual Arts. Proceedings of the 14th International Symposium Electronic Art - ISEA 2008 (pp. 181-182). Singapura, Singapura: ISEA 2008 Pte Ltd.

Gally, M. (2010). O sensível contemporâneo e a questão do espaço: Reflexões a partir do ambiente das artes visuais. Em F. Soulages (Ed.), O sensível contemporâneo. Salvador, Brasil: Editora Universidade Federal da Bahia.

Gally, M. (2015). A (des)importância do espaço para pensar as artes visuais: entre Heidegger e o Ambiente da Arte”. Revista Ideação, (31), 125-147. http://www.revistaideacao.com.br/ DOI: https://doi.org/10.13102/ideac.v1i31.1310

Jacques, P. B. (2001). Estética da Ginga: arquitetura das favelas através da obra de Hélio Oiticica. Rio de Janeiro, Brasil: Ed. Casa da Palavra.

Jacques, P. B. (2008). Parangolés de Oiticica/Favelas de Kawamata. Em P. Braga (Ed.). Fios soltos: a arte de Hélio Oiticica. (pp. 153-168). São Paulo, Brasil: Perspectiva.

Neto, E. (2011). Entrevista. Programa Museu Vivo, SESC TV. Disponiblizado pela emissora em 5.02.2014 em https://www.youtube.com/watch?v=ZZmJchHWpDw.

Oiticica, H. (1986). A dança na minha experiência - 1965. Em H. Oiticica, Aspiro ao grande labirinto. (pp. 72-76). Rio de Janeiro, Brasil: Rocco.

Oiticica, H. (1960-66) Núcleos (1964-66) Parangolés e Penetráveis (Tropicália, 1961-67). Ver registros de exposições retrospectivas na Tate Gallery e Museo Reina Sofia: http://www.tate.org.uk/whats-on/tate-modern/exhibition/helio-oiticica/helio-oiticicaexhibition-guide/helio-oiticica-4; http://www.museoreinasofia.es/en/activities/heliooiticica. Ver ainda sítio oficial Projeto Hélio Oiticica – Rio de Janeiro, Brasil: http://www.heliooiticica.org.br/obras/obras.php. Consultados em 25.11.2015.

Panella, M., Fidelis, M. e Gally, M. (2015). Arte como conhecimento do mundo na metodologia criativa e pedagógica do Projeto De fora adentro – Cartografias dos Sentidos. Revista Estética e Semiótica, 5(1), 51-60. http://periodicos.unb.br/index.php/esteticaesemiotica/article/view/15701/11146. DOI: https://doi.org/10.18830/issn2238-362X.v5.n1.2015.03

Plaza, J. (2003). Arte e Interatividade: Autor-Obra-Recepção - 1990. Ars, 1(2), 9-29. DOI: https://doi.org/10.1590/S1678-53202003000200002

Shiner, L. e Kriskovets, Y. (2007). The Aesthetics of Smelly Art. Journal of Aesthetics and Art Criticism, 65(3), 273-286. DOI: https://doi.org/10.1111/j.1540-594X.2007.00258.x

Volz, J. (2008). Ernesto Neto. Em A. Pedrosa (Ed.). Através: Inhotim – Catálogo (pp.124-127). Brumadinho, Brasil: Instituto Cultural Inhotim.

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Published

2016-10-26

How to Cite

Gally, M. (2016). The Spatial Communication and its Materialization in Brazilian Visual Arts. VISUAL REVIEW. International Visual Culture Review Revista Internacional De Cultura Visual, 3(2), 153–164. https://doi.org/10.37467/gka-revvisual.v3.238

Issue

Vol. 3 No. 2 (2016)

Section

Research articles

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