Painting and Irony
DOI:
https://doi.org/10.37467/gka-revvisual.v5.1713Keywords:
Irony, Painting, Interpretation, Polysemy, Subjectivity, Contextualization, AxiologyAbstract
Painting and irony, both move in an open and oscillating significance plane, both invite us to reconsider what surrounds us, to reread through an introspective reflection. Painting offers a set of realities where irony moves with total naturalness, whereas knowing the characteristics of irony allows approaching the interpretation of the pictorial works from a more critical and reflexive perspective. This way, the painting turns out to be an ideal form for the irony to take place, and the irony is a specially interesting discursive strategy for the interpretation of the pictorial works.
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