White Zombie as Captivity Narrative and the Death of Certainty
DOI:
https://doi.org/10.37467/gka-revvisual.v7.2604Palabras clave:
Zombies, Western, Manifest Destiny, American imperialismResumen
Horror films such as White Zombie (1932) reveal viewers to themselves by narrating in the currency of audience anxiety. Such movies evoke fright because they recapitulate fear and trauma that audiences have already internalized or continue to experience, even if they are not aware of it. White Zombie’s particular tack conjures up an updated captivity narrative wherein a virginal white damsel is abducted by a savage other.
The shell of the captivity story is as old as America and relates closely to the Western and to the frontier myth, from which the Western emerged. What inexorably links the Western and all zombie films is the notion of containment. Whereas the Western sought to contain the American Other, all zombie films ask, instead, what happens if the other breaks through the proverbial gates. In other words, what if containment fails?
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MacNeil, Denise. (August 15, 2006). “Mary Rowlandson and the Foundational Mythology of the American Frontier Hero.” Women’s Studies, 625-653.
McCain, John S. (2008). John McCain, Prisoner of War: A First-Person Account. US News and World Report, January 28, 2008.
McIntosh, Shawn & Marc Leverette (eds.) (2012). Zombie Culture, Autopsies of the Living Dead. Lanham, MD: Scarecrow Press.
Mitchell, Nancy. (2000). The Danger of Dream: German and American Imperialism in Latin America. Chapel Hill: University of North Carolina Press.
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Sutherland, Meghan. (Spring, 2007). Rigor/Mortis: The Industrial Life of Style in American Zombie Cinema. Framework 48 (1), 64-78.
Tirman, John. (2011). The Deaths of Others: The Fate of Civilians in America’s Wars. New York: Oxford University Press.
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Wetmore, Kevin J. (2012). Post-9/11 Horror in American Cinema. New York: Continuum.
Williams, Tony. (1983). White Zombie, Haitian Horror. Jump Cut 28, 18-20.
Berkenstein, Jeff, Anna Froula, & Karen Randell (eds.) (2010): Reframing 9/11. Film, Popular Culture and the “War on Terror.” New York: Continuum.
Bouchard, Gerard. (2017). Social Myths and Collective Imaginaries. Toronto: University of Toronto Press.
Briefel, Aviva & Sam J. Miller (eds.) (2011). Horror After 9/11. Austin: University of Texas Press.
Castiglia, Cristopher. (1996). Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst. Chicago: University of Chicago Press.
Cobb, William C. (1998). The American Foundation Myth in Vietnam: Reigning Paradigms and Raining Bombs. Lanham, MD: University Press of America.
Comaroff, Jean & John L. Comaroff. (2002). Alien-Nation: Zombies, Immigrants, and Millennial Capitalism. The South Atlantic Quarterly 101 (4) 779-805.
Cox, Damian & Michael Levine. (2016). ‘I am not living next door to no zombie’: Posthumans and Prejudice.Critical Philosophy of Race 4 (1), 74-94.
Drezner, Daniel W. (2011). Theories of International Politics and Zombies. Princeton: Princeton University Press.
Entman, Robert M. & Andrew Rojecki. (2001). The Black Image in the White Mind. Chicago: University of Chicago Press.
Grandin, Greg. (2007). Empire's Workshop. Latin America, the United States, and the Rise of the New Imperialism. New York: Holt.
Limerick Patricia, Nelson, (1995). Turnerians All. The Dream of a Helpful History in an Intelligible World. The American Historical Review 100 (3), 697-716.
Luckhurst, Roger. (2015). Zombies, A Cultural History. London: Reaktion Books.
MacNeil, Denise. (August 15, 2006). “Mary Rowlandson and the Foundational Mythology of the American Frontier Hero.” Women’s Studies, 625-653.
McCain, John S. (2008). John McCain, Prisoner of War: A First-Person Account. US News and World Report, January 28, 2008.
McIntosh, Shawn & Marc Leverette (eds.) (2012). Zombie Culture, Autopsies of the Living Dead. Lanham, MD: Scarecrow Press.
Mitchell, Nancy. (2000). The Danger of Dream: German and American Imperialism in Latin America. Chapel Hill: University of North Carolina Press.
Rhodes Gary D. (2001). White Zombie, Anatomy of a Horror Film Jefferson. NC: McFarland.
Schmidt, Hans. (1995). The United States Occupation of Haiti, 1915-1934. New Brunswick, NJ: Rutgers University Press.
Schoultz, Lars. (1998). Beneath the United States: A History of U.S. Policy Toward Latin America. Cambridge: Harvard.
Seabrook, William. ([1929] 2016). The Magic Island. New York: Dover Books.
Slotkin, Richard. (1973). Regeneration Through Violence, The Mythology of the American Frontier, 1600-1860. Norman: University of Oklahoma Press.
Sutherland, Meghan. (Spring, 2007). Rigor/Mortis: The Industrial Life of Style in American Zombie Cinema. Framework 48 (1), 64-78.
Tirman, John. (2011). The Deaths of Others: The Fate of Civilians in America’s Wars. New York: Oxford University Press.
Wegener, Signe E. (2005): James Fenimore Cooper Versus the Cult of Domesticity. Progressive Themes of Femininity and Family in the Novels. Jefferson, NC: McFarland.
Wetmore, Kevin J. (2012). Post-9/11 Horror in American Cinema. New York: Continuum.
Williams, Tony. (1983). White Zombie, Haitian Horror. Jump Cut 28, 18-20.
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Publicado
2020-07-29
Cómo citar
Anderson, M. C. (2020). White Zombie as Captivity Narrative and the Death of Certainty. VISUAL REVIEW. International Visual Culture Review Revista Internacional De Cultura Visual, 7(1), pp. 77–84. https://doi.org/10.37467/gka-revvisual.v7.2604
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