The reenchantment of Digital Image: "Commercial Cuts" by Daniel Martínez through the "proposals" by Italo Calvino
DOI:
https://doi.org/10.37467/gka-revvisual.v5.1519Keywords:
Commercial Cuts, Italo Calvino, Digital Art, The Infrathin Image, ReenchantmentAbstract
This article engages with Daniel Martinez's Commercial Cuts, a video animation of the homonymous book of poems by the Spanish writer Javier Moreno. Commercial Cuts, I will discuss, is a videopoetic narrative on the mythical promise of salvation exercised by our world of adverstising. Following Italo Calvino's memos, and featuring the photograms from Martinez's narrative, I will discuss how this narrative ultimately emerges as a visual poetics that defends a recuperated mythical impulse of continuity for the contemporary visual regime. With it, it manages to overcome one of main blind spots of postmodernity: the negation of the mythical perspective.
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