Mapping Creativity through Socially Engaged Visual Arts

Art Projects in two Amadora Neighborhoods

Autores/as

  • António Gorgel Pinto CIAUD researcher, School of Architecture - University of Lisbon

DOI:

https://doi.org/10.25765/sauc.v1i2.26

Palabras clave:

Social Art, Multimedia, Machine, Creativity, Emancipation, Participation, Atlas

Resumen

This article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project.

Vol 1 No 2 (2015): Places and Non Places

Descargas

Publicado

2015-12-20

Cómo citar

Pinto, A. G. (2015). Mapping Creativity through Socially Engaged Visual Arts: Art Projects in two Amadora Neighborhoods. Street Art & Urban Creativity, 1(2), 31–41. https://doi.org/10.25765/sauc.v1i2.26

Número

Vol. 1 Núm. 2 (2015): Places and Non Places

Sección

Articles

Licencia

Those authors who publish in this journal accept the following terms:

  1. Authors will keep the moral right of the work and they will transfer the commercial rights.