Cultural heritage and the ficto-critical method:

The ballad of Utah and Ether

Authors

  • Lachlan MacDowall Lecturer, Screen and Cultural Studies, University of Melbourne

DOI:

https://doi.org/10.25765/sauc.v3i1.71

Keywords:

Graffiti, Ficto-criticism, Law, Literature, Research methods, Utah, Ether, “Probation Vacation”

Abstract

Once dubbed “the Bonnie and Clyde of graffiti”, the globe-trotting, train-painting duo of Utah and Ether occupy a central place in contemporary graffiti folklore. Having both served jail time in the US for graffiti offenses, the couple skipped parole and embarked on a long term “probation vacation”, painting subway networks across Europe and Asia. Their exploits were carefully documented through photographs and web videos, including a collaboration with The Grifters, a ground-breaking video series. In 2016, Ether was again arrested and jailed while placing stickers on a Melbourne street. This paper considers the implications of Utah and Ether’s graffiti practice. Using ficto-critical writing techniques, it attempts to fill in the gaps of Utah and Ether’s fantasy life on the run and think through its implications for cultural heritage and graffiti research in a late capitalist world.

 

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Published

2017-11-20

How to Cite

MacDowall, L. (2017). Cultural heritage and the ficto-critical method:: The ballad of Utah and Ether. Street Art & Urban Creativity, 3(1), 106–109. https://doi.org/10.25765/sauc.v3i1.71

Issue

Vol. 3 No. 1 (2017): Intangible Heritage

Section

Invited Authors

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